Step 1: Enter this equation into your favorite Pokemon emulator.
Step 2: Hit Enter for your own personal BatSignal http://www.wolframalpha.com/input/?i=batman+equation
Education in mathematics eventually
leads to how simple, specific numerical interactions have direct implications in
daily life. The world not only obeys the precise formulas of physics, but also
finds a biological component of numerical properties. The Fibonacci Series of
number sums is not a non-consequential phenomenon – it is an efficient mode of
growth seen in flowers, trees, shells, animal anatomy, and even human progress.
The Fibonacci Sequence, a la Ananas comosus. http://britton.disted.camosun.bc.ca/fibslide/jbfibslide.htm
Ted Mosby, puzzled at the perplexing physical properties of the pineapple. http://www.flickr.com/photos/monkeyonthelam/2280233038/#
The Golden Ratio, a limit
derivation of any Fibonacci Sequence, has been employed as both a natural source
of beauty and actively as a human-calculated method of refining art and design for
increased aesthetic pleasure. Its natural occurrence was referenced in studies
of babies preferring pretty faces over ugly ones, terms relative to proportional
adherence to the Golden Ratio.
The Golden Ratio prevails even while Mrs. Smith holds at bay a baby admiring her representation of it.
Dr. Vesna’s lecture included
the development of perspective in art, from Giotto’s paintings with depth to Brunnelschi’s
vanishing points to Durer’s implementation of shadows. The progression led me
to today’s trend of applying fish-eye lens for wide angle pictures/video and
camera filters for instant post-modification; both are applications of
mathematics for artistic manipulation.
The camera used to make this video had a wide angle lens covering 170 degrees of vision that creates a slight fish-eye effect called barrel distortion; combined with first-person filming and the theatrical events, the visual distortion presents a unique, thrilling perspective indeed.
http://www.youtube.com/watch?v=ySoAaYPzIAQ
Robert Lang’s taking of origami principles and subjecting them to mathematics not only streamlines the practice of designing figures, but it also extends the art to compacting/assembling practical devices. This mathematical deconstruction/reconstruction reaches me through 3D paper creations called papercraft and a program called Pepakura Viewer, where artistic creations are made reproducible by simple mathematical principles.
Pepakura Viewer allows for manipulation and printing of papercraft models uploaded by people who have deconstructed the original model into components for assembly. http://www.tamasoft.co.jp/pepakura/gallery/gallerydetails.php?id=474
Featured here is a Bulbasaur I assembled last year.
Henderson takes mathematics’ characterization of a fourth dimension to make the artistic internalization that since a fourth dimension exists, even to an unknown extent, the world promises human expansion in a reality not bound by current knowledge, where one can sometimes escape the traditional principles set forth by mathematics and science and subject the world to experimentation and maybe even artists can make discoveries of truths that govern dimensionality.
Dory understands the artist's struggle against confinement from personal expression. http://www.tumblr.com/tagged/dory%20gif
I thoroughly appreciated Flatland for its recognition of the fallibility of human assumptions. I knew that if I only read the text I would remain as ignorant of dimensional properties as the characters it portrayed, so I watched one film version that felt like it perfectly portrayed Abbott’s satire of social structure and chauvinism in addition to demonstrating the dimensional properties defined by mathematics. What was even more thrilling was falling into the same stupor as the main character that realized these principles could be extrapolated to challenge traditional thinking.
Flatland: The Film (2007)
http://www.youtube.com/watch?v=eyuNrm4VK2w
Art+Com’s Floating Numbers exhibits the cultural significance behind numbers besides 42 being The Answer to the Ultimate Question of Life, the Universe, and Everything. The exhibit recognizes how human progress is quantifiable via dates, amounts, etc. and specific historical events like scientific achievements/inventions and years artistic movement occurring throughout and in reaction to the age of industrialization and societal growth can be expressed through numbers, giving them a level of significance that makes us feel intimately tied to mathematics’ influence.
Artemis Fowl suffers from an obsessive compulsive disorder regarding the number four, resulting in comically tragic antics usually associated with such obsessions. http://www.amazon.com/Atlantis-Complex-Artemis-Fowl-Book/dp/B004F9OVA2/ref=sr_1_1?ie=UTF8&qid=1373232676&sr=8-1&keywords=the+atlantis+complex Gessler’s comments on the culture of physically embodying information promotes the idea that mathematics has been and has continued to preserve scientific practices like through compasses indicating location and artistic techniques like through music boxes. In addition, the human need to continuously preserve our findings in both science and art will give mathematics a continuous seat at being an intermediary of human discovery.
Behold, another physical embodiment of information, not just a cool toy. http://www.thinkgeek.com/product/eefe/?srp=2 Sources:
Abbott, Edwin.
"Flatland: A Romance of Many Dimensions." ibiblio. Princeton
University Press, n.d. Web. 7 Jul 2013.
<http://www.ibiblio.org/eldritch/eaa/FL.HTM>.
Colfer, Eoin. “The
Atlantis Complex (Artemis Fowl, Book 7).” Amazon.com, 2010. Web. 7 Jul 2013. <http://www.amazon.com/Atlantis-Complex-Artemis-Fowl-Book/dp/B004F9OVA2/ref=sr_1_1?ie=UTF8&qid=1373232676&sr=8-1&keywords=the+atlantis+complex>.
Ehlinger, Ladd; Superheavyweight. Flatland:
The Film (2007). Youtube.com, 2012. Web. 7 Jul 2013.
<http://www.youtube.com/watch?v=eyuNrm4VK2w>.
Henderson, David.
"The Fourth Dimension and Non-Euclidean Geometry in Modern Art:
Conclusion." Leonardo 17.3 (1984): 205-210. JSTOR. Web. 7 Jul 2013.
<http://www.jstor.org/stable/1575193>.
Lang, Robert,
perf. Robert Lang: The math and magic of origami. TED Conferences, 2008. Web. 7
Jul 2013.
<http://www.ted.com/talks/robert_lang_folds_way_new_origami.html>.
Liman, Doug, dir. Mr. and Mrs. Smith.
Writ. Simon Kinberg. 20th Century Fox, 2005. Film. 7 Jul 2013.
Ruska,
Jimmy. Golden Ratio- The Perfect Face & Change the Sex of
People. Youtube.com, 2007. Web. 7 Jul 2013.
<http://www.youtube.com/watch?v=GO3o9drC1mQ>.
Wertheim,
Margaret. "Things That Think: An Interview With Computer Collector
Nicholas Gessler." The Institute for Figuring. Cabinet, 2006. Web. 7 Jul
2013. <http://www.theiff.org/publications/cab21-gessler.html>.
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